King Crawfish

King Crawfish
From our Member Folklorist, Conni Castille

In King Crawfish we watch the Cajun spirit being poured out on a communal table, even as the wild harvest is diminishing. At the 50-year old Breaux Bridge Crawfish Festival we see everything Cajuns value take to the stage: their language, music, food, dance, and  crawfish. Thousands of pounds of crawfish get served up at the festival, most coming from their natural habitat, the Atchafalaya Basin. But in one small fishing community in the Basin, crawfishermen fight to retain their way of life.

If the crawfishermen fail to preserve their right to fish and to bring back the free-flowing water that the Basin’s wildlife needs to survive, we could be witnessing the last generation of wild harvest crawfishermen, and the loss of the largest swamp in the United States.

Click here to view the trailer for King Crawfish.

No One Ever Went Hungry

No One Ever Went Hungry
From our Member Folklorist, Kevin McCaffrey

This program is an intimate look into how Cajun culture sustains itself through food traditions, social spaces, mentoring, family values and an appreciation for Louisiana’s abundance of food ingredients and dishes. We’ve tracked everything from andouille to chaudin, oyster fricasse to boiled shrimp and crawfish bisque. We’ve traveled field to bayou to deep in the Atchafalaya Basin. We can tell you where specialty meats are to be found and who’s got the best (commercial) boudin. Collaborating once again with Director of Photography Neil Alexander, who has filmed all our food documentaries, we haven’t ignored Mamou, Pierre Part or Delcambre. Neil’s work has established the unusual insider’s perspective that is our signature. Now to make it all into a good story that will surprise and delight you and maybe even change your mind about what Cajun cooking really is!!!

Click here to view the trailer for No One Ever Went Hungry.

Raised on Rice and Gravy

Raised on Rice and Gravy (2009)
From our Member Folklorist, Conni Castille

A short film about the authentic experience of neighborhood “plate-lunch houses,” little known to any but the locals, where the genuine traditions of Cajun and Creole cooking can still be found, creating a space and experience that nourishes the body as well as the soul of a culture, where black and white, blue collar and white collar, come together for plain talk and to share their common culinary heritage: rice and gravy. Best Short Documentary, and numerous film festivals, including Cannes. Funded by the Louisiana Division of the Arts, in association with the University of Louisiana at Lafayette’s Folklore and Film Programs.

We Live to Eat

We Live to Eat: New Orleans’ Love Affair With Food
From our Member Folklorist, Kevin McCaffrey

New Orleans’ food history and traditions and whether they would live on after Hurricane Katrina are explored in this documentary, produced by e/Prime Media and Kevin McCaffrey for The Historic New Orleans Collection in combination with an exhibit featuring artifacts and prints exploring the same theme. With a lively soundtrack of food related songs by New Orleans musicians, it discusses the culture of the markets, the African, French, Spanish and Italian food influences in New Orleans and the cultural history of Creole culinary and social traditions that live on today. Will they survive displacement and Americanization?

Click here to view the trailer for We Live to Eat.

Swapping Stories: Folktales from Louisiana

Swapping Stories: Folktales from Louisiana
From our Member Folklorist, Maida Owens

Here are more than two hundred oral tales from some of Louisiana’s finest storytellers. In this comprehensive volume of great range are transcriptions of narratives in many genres, from diverse voices, and from all regions of the state. Told in settings ranging from the front porch to the festival stage, these tales proclaim the great vitality and variety of Louisiana’s oral narrative traditions. Given special focus are Harold Talbert, Lonnie Gray, Bel Abbey, Ben Guiné, and Enola Matthews–whose wealth of imagination, memory, and artistry demonstrates the depth as well as the breadth of the storyteller’s craft. For tales told in Cajun and Creole French, Koasati, and Spanish, the editors have supplied both the original language and English translation. To the volume Maida Owens has contributed an overview of Louisiana’s folk culture and a survey of folklife studies of various regions of the state. Car Lindahl’s introduction and notes discuss the various genres and styles of storytelling common in Louisiana and link them with the worldwide are of the folktale.

Click here to purchase this title from Amazon.